The incident turned out to be the biggest fire tragedy in the national capital since the Uphaar Cinema blaze in 1997, when 59 people died.
Make-up man Shashikant Mhatre has worked with some of the biggest movie stars, and is a treasure-trove of untold stories from behind the scenes.
The film, in which sexist subjugation is countered with a shiny knife and Swastika art, falls flat on its face whilst trying to provide an estrogen-powered slice of sadistic pie in a perverted male dominated world.
JioFiber, India's first 100 per cent all-fiber broadband service, will start from 100 Mbps and go all the way up to 1 Gbps. This will propel India to top 5 broadband nations globally.
Residents said that the Congress leader was a spitting image of her grand mother and her entrance into politics had lent fresh energy to the party.
Others taxed at 5, 12, 18, 28%
The maverick filmmaker's latest offering Gangs Of Wasseypur has been a hit with the discerning audience.
Two films My Boss and 916 are all set to release this week.
It's not every day that Bollywood churns out a tasty dish with the right ingredients. We suggest you taste it!
'If anybody wants me to act in their film for free, just make me sing all the songs!' 'I don't even care about the script.'
The filmis not half as bad as most such movies usually tend to be.
'Not many know I am a Rajput from Jodhpur.' 'My ancestors shifted to Kolhapur as my great grandfather and grandfather were both engineers.' 'They were called by Chhatrapati Shahu Maharaj to build the city of Kolhapur.'
For the sake of children's cinema in India, Raja Sen genuinely hope this film is a solid step forward.
Joginder Tuteja takes a look at the film projects that are on floors now.
Aseem Chhabra lists 10 of his favourite films that played in various sections at the 74th Cannes Film Festival.
Though it's not the first time an Indian actor is working offshore, Dimple's gig in Tenet, has us thrilled.
'I was attracted to her both as a fine co-star and as a person who had some of the attributes I hoped to find in a woman at that age and time,' says Dilip Kumar in his autobiography, Dilip Kumar: The Substance And The Shadow.
Carrie Fisher, who made Star Wars character Princess Leia so popular, passed into the ages on December 28
Does Manmarziyaan feature in your list?
There's much more than talent to Rajkummar Rao.
Quentin Tarantino, declares Sreehari Nair, will be remembered as someone who made just two great movies, and who then brought misery upon himself.
Kumbalangi Nights is one of those movies that will put you in a good mood every time you watch it, promises Anita Aikara.
A look at the pictures.
There is a world that Satyajit Ray created in his films that I wanted to be a part of -- as Durga bathed in the rain to Ravi Shankar's music; when Charulata sat on the swing regretting she never had a child; and Aarti stood up in defence of her colleague. Aseem Chhabra shares interesting memoris of Satyajit Ray on the latter's birth centenary on May 2.
Remembering Sridevi's strongest words on her 56th birth anniversary.
Every film that Sriram Raghavan makes is a compendium of ideas and sensations that tickle him. Trying to remake a Sriram Raghavan film is like getting excited by somebody else's goosebumps, observes Sreehari Nair.
And why is Nawaz getting serious?
Joginder Tuteja looks at some of the fresh faces who may have to wait another year to make their debut.
Shashi Kapoor, the star who made us laugh, romance and cry, passed into the ages on December 4. We look back at the often underrated actor, who reinvested all his earnings as an actor into making films and keeping the theatre he established, Prithvi Theatre, alive.
Despite its stiffness, in Aarkkariyam, a supernatural glow does shine out of the ordinary.
Aseem Chhabra lists his favourite films, most of them shown at international film festivals held virtually (Berlinale and Rotterdam), hybrid (Toronto) or physical (Cannes and Venice).
'Art Deco was the last of the truly international styles.'
'All the guys in this country were stuck in the 'alpha' for the longest time.' 'They were told not to cry, be the man in the house.' 'I wanted to touch upon that vulnerability and innocence that is still alive in men.'
The film may still pull in crowd because of publicity.
'I might in the future step out of a Dileesh Pothan movie not completely satisfied, but content I'll be in the knowledge that our greatest living film-maker had failed striving to be something more than just an auteur,' notes Sreehari Nair.
'A friend said there was a new phenomenon occurring during every screening. Audience members were mouthing the dialogues with the characters on screen.' 'It was a truly amazing experience. It was impossible to hear what was being said on the screen. There was so much noise, laughter and celebration in the theatre. And the film was not even a month old.' Aseem Chhabra remembers seeing Sholay twice in the couple of weeks after it opened.
